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The EvO:R Street Journal
The EvO:R Street Journal
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Dedicated to the culture, business and interests of the indie artist.
EVJ delivers controversial points of view, hard-news commentary, Industry Insites,
artistic prose and photography and welcomes responses (pro or con),
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The Messies - Just Enjoying the Ride
By Holly Day,

"When I was six, my parents - they bought me a little toy drum, which I destroyed within the week," says
Thomas Gallmeier, drummer for Los Angeles-based quartet, The Messies. "I think the drumming just stuck with
me from then. My parents were both classical musicians, and it's taken a while for them to come to peace
with me being a rock musician.
They've never given up on trying to put me straight and have me get my diplomas and get a real job, but
I think they're fine with it now," he adds, laughing.
The Messies were formed in mid-2003 when two kids from Foley, Minnesota, a small farming town with a
population of less than 3,000 people, took a leap of faith and moved to Hollywood, California, to pursue
their musical dreams. In California, these two Midwestern boys managed to hook up with a kick-ass percussionist
from Germany, and voila! - instant magic. The true story of how the quartet of Kelly Kidd (vocals), Russell
Crane (guitar), Shane Jordan (bass) and Thomas Gallmeier (percussionist) is, no doubt, much more complicated
than that simple scenario, but the end result is this band, The Messies.
And what kind of name is "The Messies"? "I think Kelly was in Texas and was just hanging out with some
people, and they got really drunk and they were leaving this bar and someone said, "Where are the messies?"
So when he met the rest of us back here in L.A., it kind of reminded him of that scene, and that's where
he got the name," explains Gallmeier, who makes his living as a studio musician and drum teacher. "We've
always played under this name. This name's just been working for us."
In a world of smug, self-satisfied pop stars, L.A.'s The Messies are a welcome breath of fresh air.
The Messies write and perform extremely likeable songs that are as fun to sit and listen to as they are
to dance to, without leaving any of that icky "who do these guys think they are?" aural residue in your
ears. Even the suggestive-sounding track, "Super Sexy," on their debut CD, Behind Every Scream, is more
fun and playful than seductive or sleazy, with Kidd's strong and clear vocals plaintively asking a girl
to pay attention to him.
The track, "Scream," is a hilariously bratty take on "speaking your mind," with lyrics about a kid telling
his teacher to "bite me" and refusing to do chores around the house. The album is a romp through a slew
of slightly superficial relationships destined to go nowhere and trying to enjoy the ride.
But make no mistake-just because the album is catchy, energetic and happy-sounding, this is no adolescent
bubblegum pop. While it's obvious that the kids do enjoy The Messies - as evidenced by their endorsement
by JoeToga.com, the nation's largest retailer of sorority and fraternity merchandise, as well as their
much-lauded performances at Fountain Valley and Westminster High Schools (both in California)- they play
even more events aimed at adults.
In 2003, The Messies played for the Anaheim Mighty Ducks during the Stanley Cup playoffs, while the next
year, The Messies were chosen to open for the B-52's and the Scissor Sisters during parts of their
Southern California tour. Currently, The Messies are being considered for inclusion on the Fox Network's
The O.C. soundtracks and have been mentioned in a recent Shape magazine article about the best workout
music. They're also being played on XM Radio, while MTV is featuring the band on the Laguna Beach DVD out
this spring and asked them to write more for the second season. "...The Messies are in the top tier of
unsigned bands out there today!," noted Stryker, KROQ 106.7, Los Angeles.
"We play really high energy, up-tempo stuff, and the CD is almost a little tame compared to what we do live,"
says Gallmeier about the album.
"I think that when people come to our show, they really dig the high energy and fun on stage. We don't
take ourselves too seriously, and just try to create a huge party. Kelly writes really insightful lyrics,
but we've got sort of a quirkiness to the whole thing where we don't take what we do too seriously. We
just get up there, have a lot of fun, rock out, like I said, high energy, and just really blow people
away with our great energy and fun attitudes. We've been doing really well with, you know, younger audiences,
but also capturing a more mature audience with the insightful lyrics, thanks to some of the writing."
So how hard is it for The Messies to translate such a high energy, fun stage show into something
that can be controlled and processed in a recording studio booth? "That's a good question," says
Gallmeier. "Really, the band pretty much started with this CD, and after it came out we started
playing the live shows and we were like, 'Wow, we can actually play a lot harder and with a lot
more energy than what the CD reflects.' So for this next CD, the one we're working on, we're going
to try to take all that energy to the studio with us.
"It's going to be sort of the reverse process that we had on the first album,
where it was originally generated in the studio and writing sessions, and then the band got together
to perform live. This time, we already know what works and we're just going to throw that down in the
sessions and add some really moody and groovy production to it, and it's going to be absolutely great."
Considering how much success they've had with their first completely self-released CD, it's easy to
see why they're planning to do things their own way the second time around as well. "I think the band
has been finding its style and really the track "Super Sexy" is really sort of more where the second album
will start off with, you know? So it's been sort of getting to know each other and each other's personalities
and writing styles, and on "Super Sexy" it really all came together.
"It's pretty much the song that everybody prefers on the album. I mean, that's the song that all the
radio stations pick and the DJs and our fans. So that's the way the new album will sort of take off
from: more like really hard-hitting choruses and more moody in the verses, with loops and electronic
sounds ... that I think we'll use more."
Provided by the MusicDish Network. Copyright © Tag It 2005 - Republished with Permission
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